His Master’s Voice: Sound Devices in Bram Stoker’s Dracula 著者: Maria Parrino

“…In Dracula, the distinction between speech and writing is constantly under pressure: on the one hand, the characters’ urge to write (journals, letters, etc.), on the other there is an agency of oral interaction. From Renfield’s calling in of the vampire (a master who needs a servant to be welcomed in), to Dracula’s attempt at mastering oral English in order to conceal his foreignness, the novel proves to be an important example of how literature deals with sound devices.…”
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