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Superstar e Safe de Todd Haynes: Espaços Femininos Subversivos
Published 2020-04-01“… Os woman’s films de Todd Haynes: Superstar: The Karen Carpenter Story (1987) e Safe (1995), mesmo que coincidam com o melodrama, têm a sua especificidade enquanto filmes de mulheres, de acordo com a designação de Mary Ann Doane: “The woman’s film, quite simply, attempts to engage female subjectivity”. …”
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Queering the Gaze: Visualizing Desire in Lacanian Film Theory
Published 2021-04-01“…In applying Lacan’s invisible object that provokes our gaze as a lens through which to read queer existence and desire within discourses of queerness as “invisible” or an “open secret,” we can locate non-heterosexual identifications and desires and radical queer potential in the unseen spaces in film. Examining the films Safe (1995), Carol (2015), and The Watermelon Woman (1996), I identify and employ three forms of the queer gaze: reciprocal queer gazing, inclusive spectatorship, and re-visibility. …”
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Un diálogo semiótico esclarecedor entre cine y teoría social
Published 2011-01-01“…[en] The purpose of this paper is to develop a sociosemiotic analysis of the film Safe (1995, USA, T. Haynes), as an “iconic-symbolic fable or essay” that helps us reflect on some aspect of the social and/or subjective world—an approach proposed by Uruguayan semiotician Fernando Andacht. …”
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Cholecystectomy at the time of open cytoreductive surgery for ovarian cancer
Published 2024-06-01“…Case/Methods: In this surgical film, we present the case of a 78-year-old woman with metastatic high-grade serous ovarian cancer who underwent primary cytoreductive surgery at Memorial Sloan Kettering Cancer Center (New York, NY). …”
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