Eva Kistrup: Et studie i amerikansk og engelsk TV-serie og soap-tradition by Jørgen Poulsen

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Eva Kistrup: Et studie i amerikansk og engelsk TV-serie og soap-tradition by Jørgen Poulsen

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Le serie tv sono la nuova soap opera? Luci e ombre della Grande Serialità televisiva by Daniela Cardini

“…Mutatis mutandis, today the central role of tv series is similar to the relevance of the soap opera in the critical debate in the Eighties and Nineties. …”
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The Changing Soaps and Telenovela Genre: Turkish Series Impact by Lejla Panjeta

“…We usually tend to address everything related to TV and sequel featured as series and soaps. This common presumption is wrong on so many levels, because the genre of sequels has many subgenres and mixed genres and they are constantly changing in the light of the new technologies of filmmaking, TV broadcast and demands of the market. …”
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Social Class, TV Series and Resistance: the Reception of Turkish Dramas by Greeks by Dimitra Laurence Larochelle

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Romanzo Criminale : la série dans un récit transmédial by Marta Boni

“…This paper analyzes the Italian TV series Romanzo Criminale through the concept of quality soap, trying to describe a new cultural and social phenomenon that is transmedia storytelling. …”
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Students’s Attitudes Towards the Relation Between the Turkish Soap Operas and the Aesthetically-marked Social Behaviour in Youth by Hariz Šarić, Zlatan Delić

“…In this paper the authors analyzed and empirically investigated the complex relationship between the TV series (soap operas) and social behavior. According to Rössneru, social behavior is manifested through two modalities: socialized and disocialized. …”
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Educational Function of Documentary Television Series: Philosophical Understanding by Kateryna Karpenko, Serhiy Gulevsky

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Close-up as a Marker of the Change of Genre Register in the Second Season of the Friends TV series by Verevkina, Darya

“…The article examines the possibilities of the close-up as an independent artistic technique, using the example of Season 2 (19951996) of the Friends TV series. The visual norm of the series is medium shots, which is due to the shooting technology; whereas close-ups, as shown in the article, sharply contrast with the norm and are used in a situation of genre shift (as markers of the western, drama, romantic comedy, horror, soap opera, etc.). …”
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Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s by Dennis Tredy

“…This was immediately followed by two successive contributions from TV producer-director Dan Curtis for ABC –first in the late sixties with Dark Shadows, the ‘Gothic soap opera’ that took the melodramatic afternoon serial format and spiced it up with dozens of overlapping subtexts on classic vampires, werewolves and witches, and then in the early seventies with two TV films that resulted in the first ‘paranormal investigation series’, Kolchak: The Night Stalker. …”
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Extension du champ télécinématographique de la science-fiction. The Mandalorian (Disney+) by Hannedouche Cédric

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Saints, Cops and Camorristi. Editorial Policies and Production Models of Italian TV Fiction by Luca Barra, Massimo Scaglioni

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« Mars women » et « gossip girls » : les ambivalences des héroïnes de séries adolescentes contemporaines by Pierre-Olivier Toulza

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« Vu à la télé » : tourisme et fictions télévisuelles françaises by Marie-Hélène Chevrier, Isabelle Lefort

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ÜLKE MARKALAMASI BAĞLAMINDA ULUSLARARASI BASINDA TÜRK DİZİLERİ VE TÜRKİYE İMAJI by Kübra ÖZARSLAN

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Discussing Transnational Format Adaptation in Turkey: A Study on Kuzey Güney by Ayşegül Kesirli Unur

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Turkish soaps: understanding pleasure among Iranians and the underlying political economy by Matin, Alireza Azeri

“…Flooded with a cornucopia of tele-viewing choices, Iranian audiences have particularly been enthralled by Turkish soap operas in recent years. Such popularity, especially among younger audiences, is remarkable considering the general prohibition of satellite TV in Iran and authorities' specific censure of Turkish soaps for having corrupting effects on Iranian culture. …”
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Telenovelas e interpretações do Brasil Soap operas and interpretations of Brazil by Esther Hamburger

“…<br>Over the last forty years, soap operas - primetime series exhibited six times a week, targeting an imagined predominately female audience, but watched, in their most popular phase by a 40% male audience - have become a privileged niche for the interplay of interpretations of Brazil. …”
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De l’intérêt de décentrer notre regard : le Nigéria et l’Afrique du Sud dans les séries entre construction et déconstruction des stéréotypes by Pierre Denmat

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El nord-occidental a la ficció de TV3 / The north-western Catalan in TV3 fiction by Laura Ferrer Huch

“…However, there are still many prejudices that we could help palliate, by introducing series in several dialects on TV3 and thus normalizing their presence in the Catalan television landscape.…”
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