WOMEN MUSICIANS ON THE GREAT SELJUK CERAMICS by Feyzan GÖHER VURAL

“…However, women have been in the art of music throughout history, especially in societies which values the women as Turks. …”
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The Social Status of Musician Lulies and Minstrel Kowlies in Persian Proverbs by Hassan Zolfaghari

“…This study investigates the social status of these musicians Luli in Persian proverbs.  Methodology The research method is descriptive and analytical. …”
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Neural Advantages of Older Musicians Involve the Cerebellum: Implications for Healthy Aging Through Lifelong Musical Instrument Training by Masatoshi Yamashita, Chie Ohsawa, Maki Suzuki, Xia Guo, Xia Guo, Makiko Sadakata, Yuki Otsuka, Kohei Asano, Kohei Asano, Nobuhito Abe, Kaoru Sekiyama

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Basotho accordion music’s influence on Seema’s life: Capturing Africana woman’s strength by Ntsoaki T. Mokala, Lihotetso G. Matee, Mabohlokoa M.T. Khanyetsi

“…The study’s findings reveal that Puseletso Seema manages to encourage, motivate and show strategies that can be used to empower Basotho women through her songs. The songs further help to preserve Basotho culture and empower Basotho women to navigate through patriarchal culture and social structures. …”
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An Example of Urban Women's Entertainment: Girl to girl with Kerem/ Kent Kökenli Kadın Eğlencelerine Bir Örnek: Kerem’le Kız Kıza by Aslı Büyükokutan Töret

“…The migration to the city, which started in parallel with industrialization, has led to changes in the daily life of societies and their entertainment. The participation of women in workforce and the importance of the female labour presence in the development of the country are appreciated and following the policies towards this direction reveals the reason behind women also have a need for entertainment. …”
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La Sociedad Filarmónica de 1826 y los inicios de la actividad de conciertos públicos en la sociedad civil de Chile hacia 1830 The Sociedad Filarmónica of 1826 and the Beginnings of... by Luis Merino Montero

“…A key role was played by the Sociedad Filarmónica in Santiago between 1826 and 1828 led by Isidora Zegers, the grand dame of nineteenth century music in Chile, along with José Zapiola and Manuel Robles, who were accompanied by a selected group of amateur musicians, most of them women of the Chilean high society. …”
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Bayan Orchestra Practice in the Context of Gendered Division of Labour: The Case of DJ Cannur / Cinsiyete Dayalı İşbölümü Bağlamında ‘Bayan Orkestra’ Pratiği: DJ Cannur Örneği... by Ata Sağıroğlu

“…Thus, DJs and musicians who call themselves “bayan orchestra” emerge in response to the need for musicians in women-only entertainments, especially in conservative communities, such as henna nights. …”
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“Key to the highway”: blues records and the great migration by Louis Mazzari

“…The paper will explore blues music as an expression of the fluidity of African American society and culture during the Great Depression.While avoiding direct protest, blues singers and musicians—first women, later men—crafted an art form and employed the technology of the phonograph to encourage freedom of movement and choice. …”
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Traditional Wrestling in Niger: Between state voluntarism and ancestral symbolism by Mahaman L. Sériba

“…Interest in traditional wrestling is widespread among Nigériens from all walks of life: young men, adults, senior citizens, young women, mature women, adult men, handicapped persons, prisoners, peasant farmers, civil servants, artisans, housewives, politicians, marabouts (Muslim religious leaders/imams), féticheurs (animist priests), griots (wandering poets/musicians), trainers, researchers, journalists, labourers … In short, it can be asserted that traditional wrestling is firmly entrenched in Nigérien culture and generates unequalled enthusiasm. …”
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Context and Content Analysis of the History of Female Composition in Eastern Galicia in Light of Gender Theories by Ostap Maychyka, Oksana Frait, Tetyana Slyusar, Olha Katrych, Oksana Harhay

“…While women's writing in Galicia developed rapidly and caused a public outcry, despite the innovation and boldness of ideas, traditional views on the gender issue continued to prevail in the musical sphere. …”
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Topsy Turvy de Mike Leigh : l’envers du décor ou la norme mise à mal by Isabelle Cases

“…The portraits of women and artists are particularly telling in this respect. …”
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Introduction: I am Nothing by Licia Fiol-Matta

“…The songwriter’s lament for women and men who did not conform to the expected roles of a misogynistic and homophobic society, who dared usurp the masculine domains—music among them—throws into the sharpest of relief just how vexed women’s incursion into pop music can be.   …”
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Institutional music education and utopian futurity in Afghanistan's twenty-first century liberal peacebuilding era by Braithwaite, L

“…Focussing on the case study of the Afghanistan National Institute of Music (ANIM), this research investigates what institutional music education afforded individuals and social groups, what stakeholders wanted to achieve by engaging with music education, and how individuals conceptualised their role as musicians within Afghan society and beyond. Using a critical ethnography approach, this research also looks beyond ANIM’s public narrative to interrogate taken-for-granted claims about social transformation and societal change through music. …”

Presentation of the Ukrainian Community in Hungary on the Digital Network by Lesia Mushketyk

“…The main materials on education, culture and religion of the Ukrainian diasporain Hungary are placed in two major sections: ABOUT US (self-government, center of Ukrainian culture and documentation, Ukrainian sunday school at SSUU, women’s club Horlytsia, Internet TV, Ukrainian Bulletin, printed publications, library), and the section UKRAINIANS IN HUNGARY (history, Ukrainian societies in Hungary, Ukrainianchurch in Hungary, Ukrainian native school, representatives of Ukrainians in the Hungarian parliament, Ukrainian musicians in Hungary, Ukrainian artists in Hungary,Ukrainian poets and writers in Hungary, Ukrainian theater, Ukrainian institutions, monuments).…”
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The Famous Slovenes in Croatia throughout the History by Vera Kržišnik Bukić

“…Particularly in the 20th century, they were excellent doctors, professors, scientists and various other specialists, sportsmen, but also versatile artists: painters, sculptors, architects, stage actors and musicians and opera singers in particular. The author devotes the central part of her article to a specified selection and presentation, listing by name the most meritorious Slovene men and women in Croatia in the more remote and more recent past, as well as those already belonging to history.…”
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CITRA PEREMPUAN DALAM LIRIK LAGU KIMCIL KEPOLEN KARYA NDX AKA FAMILIA DALAM PERSPEKTIF LINGUISTIK KOGNITIF by Ferdi Arifin

“…This song is created by NDX a.k.a Familia that inspires people for his long journey as a labor towards a great Indonesian musician that has been loved by widely society. This lyric represents women image from NDX perspective before his successful being a great musician. …”
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CITRA PEREMPUAN DALAM LIRIK LAGU KIMCIL KEPOLEN KARYA NDX AKA FAMILIA DALAM PERSPEKTIF LINGUISTIK KOGNITIF by Ferdi Arifin

“…This song is created by NDX a.k.a Familia that inspires people for his long journey as a labor towards a great Indonesian musician that has been loved by widely society. This lyric represents women image from NDX perspective before his successful being a great musician. …”
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The Study of Life Style and Social Identity (A case study of youth in Bandar Abbas city) by Bijan Khajenoori, Leila Parnian, Soghra hemmat

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Steingo, Gavin. 2016. Kwaito’s Promise: Music and the Aesthetics of Freedom in South Africa. Chicago: University of Chicago Press by Emily Hansell Clark

“…Steingo’s ethnographic material centers around musicians in Soweto who, in contrast to ethnomusicology and media studies’ frequent focus on the increasing mobility and circulation of music and musicians (e.g. …”
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Editor’s Note: Sounding the Break: Music Studies and the Political by Tom Wetmore

“…“Cultural Studies: Two Paradigms.” Media, Culture and Society 2 (1): 57–72.…”
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