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An epilogue to two films
Published 2019-04-01“…During my PhD I lived an itinerant life as a van-dweller in the UK, often travelling abroad for my research (Mendus 2017). I use itinerant here to mean of "no-fixed-abode" as I was constantly travelling, often sleeping in a van or at friends' houses but not living in a fixed-home-dwelling. …”
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Travel Down Memory Lane: Nostalgia and Nostophobia in Youth (2017)
Published 2020-10-01Get full text
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Possibilities assessment of the film cluster in the Kaliningrad Oblast functioning
Published 2023-03-01Get full text
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Diasporic visions: colonialism, nostalgia and the empire in Gurinder Chadha’s Viceroy’s House
Published 2024“…Released on the 70th anniversary of Partition, Gurinder Chadha’s film Viceroy’s House (2017), which is narratively and stylistically constructed in the fashion of heritage cinema, is said to provide a “British Asian perspective” on Partition. …”
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The cosmicity of the house: its myths and images in the movie Mother!, by Darren Aronofsky
Published 2021-08-01“…This work aims to carry out a critical reading of the film Mother!, directed by Darren Aronofsky and released in the United States in 2017. …”
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The Great War: Cinema, Propaganda, and The Emancipation of Film Language
Published 2017-12-01Get full text
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Shouting in the Library: the Radical Voices season at the University of London’s Senate House Library
Published 2017-11-01“…Senate House Library and the Institute of Historical Research hosted a season of public and online exhibitions, ‘radical walks’, talks, film screenings and sound installations between January and March 2017, which saw contemporary radical thinkers Ken Loach and Ron Heisler connecting with their predecessors, through their book and manuscript legacies, to tell accessible stories and encourage new audiences into dialogue with ‘the people’s university’. …”
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Veterans and Grannies. The Polyphony of Memory in Two Hungarian Documentary Films
Published 2019-10-01Get full text
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They Live: Violence, Horror and Spectres in Four Contemporary Argentine Films
Published 2022-11-01Get full text
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Piercing the Screen of the Dispositif: Interrogating the Ideological Effects of the Perspectival Image
Published 2021-05-01“…In the exhibition, ‘Piercing the Screen of the Dispositif’, held at the Tent Gallery at the Edinburgh College of Art in October 2017, images of the film 'House: After Five Years of Living' – made by Charles and Ray Eames in 1955 – were extracted, dissected and spatialised. …”
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Vivian Qu’s Angels Wear White: Vulnerable Young Girls and Resistance in Contemporary China
Published 2023-12-01Get full text
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