The Concept of “Book” in Dostoevsky’s Novel The Idiot by Caterina Corbella

“…The article is intended as part of the project “The Role and the Image of Books in F.M. Dostoevsky’s novel The Idiot.” Rather than analyzing a particular book, the author focuses on the concept of “book” itself in the novel: where and how it appears and the connections it creates in the text, leading the reader to understand the meanings that Dostoevsky wanted to communicate through it. …”
Get full text

THE CONCEPT OF RIGHTNESS IN DOSTOYEVSKY’S NOVEL THE IDIOT by Gilmanova Anastasiya Vladimirovna

“…The article addresses the problem of assessment in The Idiot, the novel by Fyodor Dostoevsky. The special attention is paid to the specifics of realizing the concept of rightness in the text of the novel. …”
Get full text

Dostoevsky’s novel "Idiot" and the almanac of Karamzin "Aglaya" by Dmitrij P. Ivinskij

“…The article shows that Karamzin's “Aglaya” was the first version of the literary and ideological paradigm that was crucial for Dostoevsky's novel “Idiot”. Karamzin summarized the group of ideas that created the connection between the opposition of evil and truth and the theme of salvation. …”
Get full text

The Ambiguous Motive of Laughter in Dostoevsky’s Novel “The Idiot” by Maria M. Alekseeva

Get full text

The Motif of Beauty in F.M. Dostoevsky’s Novel The Idiot by Sergey S. Sharakov

“…Some researchers believe that for Dostoevsky “beauty” is Christ Himself; others argue that the aphorism denotes the main problem of the novel The Idiot. The article identifies the semantics of the concept “beauty will save the world”. …”
Get full text

The Lady of the Camellias and Madame Bovary in Dostoevsky’s Novel The Idiot by Tatiana G. Magaril-Il’iaeva

“…The article analyzes the place and role of two novels, The Lady of the Camellias by Alexandre Dumas fils (1848) and Madame Bovary by Gustave Flaubert (1856), in Dostoevsky’s novel The Idiot (1868). …”
Get full text

The Legend of Rothschild as the “Napoleon of Finance” in Dostoevsky’s Novel The Idiot by Nikolai N. Podosokorsky

“…The article analyzes the Rothschild theme in the novel The Idiot, a motif strictly connected with the myth of Napoleon, in which Dostoevsky was keenly interested during all his artistic life. …”
Get full text

The Image of a Tree in F.M. Dostoyevsky's Novel "The Idiot" by Olga N. Smyslova

“…The article is devoted to the analysis of the image of a tree in Dostoevsky’s novel “The Idiot”. The author reflects on the evolution of this image from an artistic detail in the description of the Pavlovsk Park to the philosophical symbol of the Golden Age lost by mankind and the ideal future expected and dreamed of by all the characters of the novel. …”
Get full text

Prince Myshkin’s Brides in F.M. Dostoevsky’s Novel The Idiot by Victoria M. Fedorova

“…Dostoevsky’snovel The Idiot. It considers the word “bride” and its meaning in the novel and traces the paths of the female protagonists – Aglaya Ivanovna and Nastasya Filippovna –the paths of the female protagonists – Aglaya Ivanovna and Nastasya Filippovna –towards this status. …”
Get full text

The Premonition of Death as a Test of Faith for the Characters of the Novel The Idiot by Tatiana N. Flegentova

“…In the Gospel, the last words of one of the villains crucified with Christ opened the way for him to forgiveness. The heroes of the novel The Idiot are immersed in “last minute” situations through the processes of telling, listening to stories about death penalty. …”
Get full text

Analysis of Scenes and Episodes in F.M. Dostoevsky's Roman Idiot

Subjects: “…f.m. dostoevsky's novel "idiot", composition, poetics, figurative and thematic structure, intertextual background…”
Get full text

“It’s All One Big Fantasy”: The Critique of Modernity in Dostoevsky’s Novel The Idiot by Katya Jordan

“…The opposition between Europe and Russia runs through Dostoevsky’s novel The Idiot, culminating in Mme Epanchina’s declaration that both Europe and the Russians who travel to Europe are “one big fantasy” [Dostoevsky, 2002, p. 615]. …”
Get full text

The “Resonant Space” of the Russian Classic Novel: N. S. Leskov’s “Neglected People” and F. M. Dostoevsky’s “The Idiot”

“…The article establishes poetic-typological correspondences between N. S. Leskov’s novel “Neglected People” (1865) and F. M. Dostoevsky’s novel “The Idiot” (1868–1869). …”
Get full text

Dostoevsky’s Novel The Idiot in the 19th Century Dramatizations: The History of Censorship and Theatre Productions by Polina V. Babushkina

“…Sutugin of Dostoevskys novel The Idiot (1899) is the only staging of this novel in the XIX century that was approved by censors and directed in two theaters: the Maly Theater and the Alexandrinsky Theater. …”
Get full text

Gnostic Myth About Salvator Salvatis and Its Elements in F.M. Dostoyevsky's Novel "The Idiot" by Ekaterina V. Moskvina

“…Supported by original texts, examine the Gnostic ideologems such as the dualistic vision of the world, the negative understanding of urban topos as the world of material evil, the motive of assimilating the Savior to someone else, the figurative triad of the demiurge-soulSavior, the idea of the chose generation, etc., were considered at the subject and figurative level in the novel “The Idiot”. The article also lists the most obvious sources of some Gnostic elements of the text, for example, the work of Schiller and Shakespeare, Schelling’s philosophy. …”
Get full text

Prince Myshkin’s Bundle: the Function of a Symbolic Detailin Dostoevsky’s Novel Тhe Idiot by Olga Y. Yuryeva

“…The article deals with the artistic function of the symbolic detail in F.M. Dostoevsky’s novel The Idiot. Such a meaning-forming symbolic detail, a thingthrough which reveals not only the essence of the personality of the protagonist, butalso the background of intrigues and plot conflicts tied around him, is the bundlewith which Prince Myshkin returns from Switzerland to St. …”
Get full text

Polish screenings of the russian novel (visual interpretations of novels of F.M. Dostoevsky Idiot and of M.a. Bulgakov Master and Margarita) by Galina Nefagina

“…Polish screenings of the russian novel (visual interpretations of novels of F.M. Dostoevsky Idiot and of M.a. …”
Get full text

“Seduction by writing”: passage about calligraphy from the Fyodor Dostoyevsky’s novel “The Idiot” in the theoretical frame of grammatology by Lazarenko Lyubov Vitalyevna

“…The article explores the objectification of the sociocultural representations of the individual in the singular graphic units of writing on the material from the passage from F. Dostoevsky’s novel “The Idiot”, pronounced in the title of the article. …”
Get full text

IMAGES OF PRE-THUNDER AND THUNDERSTORMS IN THE NOVEL OF F. M. DOSTOEVSKY “THE IDIOT”: PSYCHOLOGICAL PARALLELISM, SYMBOLISM AND POLYPHONY by T. N. Suzanskaya

“…The article examines the artistic features of the image of a thunderstorm in Dostoevsky‟s novel “The Idiot.” The theory of symbol developed by A. …”
Get full text

Dispute about Holbein as a dispute about faith: discussion around Fedor Dostoevsky’s novel ‘The Idiot’ by Anzhelika I. Vaskinevich

“…The article is devoted to the controversy around the painting by Hans Holbein the Younger "Christ in the tomb" and the novel "The Idiot" by Fedor Dostoevsky, where this picture is the central ekphrasis. …”
Get full text