Published 2012-05-01
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In her book Trauma Cinema (2005), Janet Walker is primarily interested in films that adopt catastrophe as their subject matter and trauma as their aesthetic in documentary treatments of incest and the Holocaust; but she also examines the classic Hollywood melodrama King’s Row, adapted from a book “spiced with harlots,
idiots, nymphomaniacs and homosexuals,” concerning “three fathers who become sexually enamored of their daughters,” as well as “a sadistic doctor who performs unnecessary operations for the gloating pleasure of seeing his patients suffer to the human breaking point, and a whole horde of half-witted, sensual creatures preoccupied with sex” (to quote a contemporary review of the perverse source
novel). …”
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