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Visual Composition of Bodily Presence. A Phenomenological Approach to Paul Thomas Anderson’s The Master
Published 2015-12-01“…The last part of the paper demonstrates, through the example of Paul Thomas Andersonʼs The Master (2012), how crucial the embodied viewer experience can be in the understanding of moving images. …”
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KONY 2012, Military Humanitarianism, and the Magic of Occult Economies KONY 2012, militärische Humanität und die Magie verborgener Wirtschaftsbeziehungen
Published 2012-01-01“…The global success of the film KONY 2012 by Invisible Chil-dren, Inc., manifests far greater magical powers than those of Joseph Kony and his ruthless Lord’s Resistance Army, which it portrays. …”
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What remains amiss? Film bodies, traumatic experience and absence in the cinematic encounter with the essay film
Published 2017“…The primary texts this project analyzes are Rithy Panh’s S21: The Khmer Rouge Killing Machine (S-21, la machine de mort Khmère rouge, 2003) and Duch, Master of the Forges of Hell (Duch, le maître des forges de l'enfer, 2011), as well as Joshua Oppenheimer’s The Act of Killing (2012) and The Look of Silence (2014). …”
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Fabrication And Physical Characterisation Of Zinc Oxide Thin Films
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