Visual biases in evaluation of speakers’ and singers’ voice type by cis and trans listeners by Jay Marchand Knight, Anastasia G. Sares, Mickael L. D. Deroche

“…Every participant provided voice type ratings for (1) Audio-only (A) stimuli to get an unbiased estimate of a given actor’s voice type, (2) Video-only (V) stimuli to get an estimate of the strength of the bias itself, and (3) combined Audio-Visual (AV) stimuli to see how much visual cues would affect the evaluation of the audio.ResultsResults demonstrated that visual biases are not subtle and hold across the entire scale, shifting voice appraisal by about a third of the distance between adjacent voice types (for example, a third of the bass-to-baritone distance). …”
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Critical readings of perceptual models in the poetry of Linton Kwesi Johnson: bass culture by Layne, L

THE CORRELATION OF THE VOICE AND THE PIANO PARTS IN THE VOCAL MUSIC OF SCHUBERT’S PREDECESSORS by TUREA, ELENA

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The Verbal Accompaniment of Sheikh Ali Al-Tantawi by Mishal Al-Harf

“…Then, the present study has concluded with some results, which are as follows: The verbal collocations varied in terms of their predictive strength and shortness, as many strong predictive collocations have appeared, such as the Bass of the Voice, the Postman, and others, and few predictable collocations have been shown, such as Organizing Poetry, Knocking on the Door, and others. …”
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Sacred polychoral music in Rome, 1575-1621 by O'Regan, T, O'Regan, Thomas Noel

ملامح من البيان النبوي : دراسة تأصيلية = Characteristics of the Prophet’s eloquence: foundational study = Kajian dasar ciri-ciri Kefasihan Nabi by Gasmelsid, Saadeldin Mansour

“…For example, voice bass, sign and gesture, repetition, brevity, etc. …”
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