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THE USE OF HYPNOSTYLISTIC PATTERNS OF THE LEXICAL LEVEL FOR INDUCTION AND DEEPENING OF HYPNOTIC TRANCE IN THE CHINESE HYPNOTIC DISCOURSE
Published 2020-09-01“…The purpose of this study is to present the main linguistic patterns of Chinese hypnotic communication, as well as highlight the main lingual features of trance induction in Chinese hypnotic discourse. The object of the research is hypnotic discourse in the Chinese language, and the subject is the mechanisms of conducting a hypnotic communicative act in the Chinese language. …”
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Case Report: Anomalous Experience in a Dissociative Identity and Borderline Personality Disorder
Published 2022-07-01“…IntroductionDissociative identity disorder, formerly called multiple personality disorder, is a rupture of identity characterized by the presence of two or more distinct personality states, described in some cultures as an experience of possession.ObjectiveThe case of a 30-year-old woman with dissociative identity disorder and borderline personality disorder associated with a previous history of anomalous experience was reported.Case ReportA 30-year-old woman who fulfilled the DSM-5 criteria for dissociative identity disorder and borderline personality disorder reported the presence of unusual sensory experiences (clairvoyance, premonitory dreams, clairaudience) since she was 5 years old. …”
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O universo visual dos xamãs wauja (Alto Xingu)
Published 2001-01-01“…This paper analyses the shaman’s visual experiences in dreams and trances as elements in the conceptualisation of the four main types of non-human beings (« animal-people », « clothing », « monster », and « animal ») and of their relationships to the Wauja. …”
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Tobacco visions: shamanic drawings of the Wauja Indians
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Postwar American Experimental Film and Queer Psychogeography
Published 2020-05-01“…So far conceptualized as cinematic renderings of trances and dreams triggered by the search for sexual identity, the present article shows that this body of work registers as well a material practice consisting in the covert sexualisation of urban space; this practice arises from the attempt of postwar queer subcultures to escape regulation and surveillance during repressive times. …”
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