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El Murciano's “Rondeña” and Early Flamenco Guitar Music: New Findings and Perspectives
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FLAMENCO AND NEW TECHNOLOGIES: THE MUSIC CLASSROOM AS A CONTEXT FOR THE INTEGRATION OF THE GYPSY GROUP
Published 2012-04-01“…This proposal tries to show diverse cases of using the new technologies in the teaching-learning of flamenco. …”
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El imaginario flamenco americano en sus primeras literaturas: New York 1930-1970
Published 2004-12-01Subjects: “…imaginario flamenco americano…”
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El imaginario flamenco americano en sus primeras literaturas: New York 1930-1970
Published 2005-01-01Get full text
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Current paradigm of flamenco festivals, from the perspective of Cultural Managemen
Published 2014-10-01“…This study discusses the current models of cultural management have to flamenco festivals in Spain, on the assumption of many flamenco, which indicated that the flamenco festivals need a reformulation. …”
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World music, flamenco, klezmer and traditional folk music in Slovakia
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Consumption Habits of Recorded Music: Determinants of Flamenco Albums Acquisition
Published 2023-09-01“…A methodology divided into three phases has been used for this purpose: firstly, interviews with experts from the Spanish music industry where new variables are identified that can affect flamenco consumption habits; then 586 surveys of flamenco spectators who valued these variables and, finally, the application of econometric models to obtain the coefficients of the variables. …”
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The flamenco dance in the cafés cantantes epoch: a historiographical review. El baile flamenco en la época de los cafés cantantes: un recorrido historiográfico.
Published 2012-01-01“…The main objective of this article is to examine the perception of flamencology and flamenco historiography regarding the phenomenon that strengthened flamenco dancing in the era of the ‘cafés cantantes’, from the second half of the 19th century to the early years of the 20th century. …”
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Sergei Diaghilev in Spain: New Themes, Images, Ballets
Published 2023-07-01“…Numerous visits to this country, spanning the period from the mid-1910s to the mid-1920s, enriched Diaghilev's artistic horizons with new themes and images that resulted in the ballets: «Las Meninas», «The three-cornered hat», «Cuadro Flamenco». …”
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The Feminine Section and the political instrumentalization of flamenco dance during the Franco dictatorship (1940-1975)
Published 2022-02-01“…The results show a first autarchic stage, that of the forties, in which flamenco dance is instrumentalized under the myth of the unity of the homeland, for from the fifties, as part of the developmental strategy in the economic and openness in politics, flamenco becomes a weapon of political indoctrination to reinforce and symbolize the new national identity. …”
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Staged Memories: Spanish Drama and Cinema, Andalusian Identity and Flamenco Music in Argentina and Mexico
Published 2015-09-01“…At the same time, several artists arrived to these places escaping from the war, political repression or, simply, looking for new work opportunities. For instance, famous singers, actors and flamenco players and dancers (v.g. …”
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Determinants of attendance frequency to flamenco shows in Spain. A cultural economic approach || Determinantes de la frecuencia de asistencia a espectáculos de flamenco en España....
Published 2020-06-01“…This article aims to determine which variables have effect on the attendance frequency to live flamenco shows. Firstly we have done interviews to flamenco and music industry experts to achieve new-fangled variables in our analysis. …”
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Pourquoi le flamenco est-il une telle machine à fabriquer des stéréotypes ?
Published 2018-03-01“…Thereafter, Flamenco has been able to avoid stagnating by adopting an identity-based logic – it lays claim to an identity and the stereotypes enable its comprehension by the public – alongside a commercial logic wherein these stereotypes must be renewed in order to respond to changing social issues and the tastes of the public in each new era. …”
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On the Question of the Relationship of Collective and Individual Principles in the Flamenco Culture (mid-XVIII — first quarter of the XX century)
Published 2021-04-01“…The need to attract, surprise and interest the audience at different stages of the development of flamenco influenced all components of this art, and the competition factor encouraged performers to look for new forms and develop new styles. …”
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El flamenco entre hogar y escenario: polémicas, tensiones, e ideologías de pureza y autenticidad
Published 2023-12-01Get full text
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De la escena a las aulas: los artistas y la incorporación de la danza española y el baile flamenco a las enseñanzas generales (From the stage to the classrooms: artists and the in...
Published 2021-04-01“…Sin embargo, las ventajas derivadas del aprendizaje de la danza española y el baile flamenco, parecen estar siendo desaprovechadas por las enseñanzas generales en España. …”
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« Un coup de dés jamais n’abolira le hasard » : quelques cas de conversions esthétiques au flamenco (XXe-XXIe siècles)
Published 2024-03-01“…Following a more or less quick and radical change, in what way did they decide or feel that they had become flamencos resulting from a crucial, even overwhelming discovery of new aesthetic references?…”
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Cádiz como eje vertebrador en España del discurso dialógico musical entre México y Andalucía en la etapa preflamenca. Cadiz as the backbone in Spain of musical dialogue between M...
Published 2011-05-01“…This fact was capital during flamenco conformation process. A significant presence of mexican music was integrated into the city, to the point of becoming new “gaditano” preflamencos styles. …”
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