Women's gender roles in contemporary Thai romantic comedy films by Witedwittayanusat, Kanokkorn

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Music by František Škvor for the Karol Plicka's film The Earth Sings – the beginning of Slovak national music? : some remarks on the origin and importance by Branko Ladič

Subjects: “…film music…”
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Face value : curated experiences for geographically separated romantic relationships by Lee, Sharlene Chet Ling

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Jean-Gaspard Deburau: Romantic Pierrot by Nye, E

“…And while two of the most influential French mime artists of the twentieth century, Jean-Louis Barrault and Étienne Decroux, sought a radical departure from his Pierrot tradition, they ironically found themselves in the now legendary French film Les Enfants du paradis acting the parts respectively of Deburau and Deburau's father. …”

Who Lives, Who Dies, Who Sings Which Story?: Narrative Production and Race in the Curriculum of Film Musicals by Joanna Batt, Michael Joseph

“…This critical film analysis of three film musicals, using the theoretical framework of history production, reveals themes of historical morality, romantic relationship and race, and implicit/explicit racial messaging. …”
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Happily ever after by Pek, Hong Kun

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In tune by Chee, Celine Yan Yee

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Rekindled 《爱情左右》：producer's report by Teng, Veron Yee Si

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Rekindled - 爱情左右 by Lim Alvin Eu Chian

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Quest of Love by Ong, Jaye Yu Ying

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The objectification of women in 'Lars and the Real Girl' and 'her' by Siti Sarah Daud

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What Language Does the French “Musical Comedy” Speak? On Some Stylistic Experiments of the Legrand — Demy Tandem by Platonova Olesia A.

Subjects: “…french film music…”
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Dating jitters by Lim, N. D.

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Wanna try something crazy? by Tan, Ying Jian

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Wanna try something crazy? by Chia, Chester Wei-Ze

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Dating jitters by Tay, Ashley Rui Yi

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“Viimne reliikvia” ja “Kolme katku vahel”: ruumist eesti ajalookirjanduse ekraniseeringutes / The Last Relic and Between Three Plagues: On Space in Film Adaptations of Estonian His... by Eva Näripea

“…Still, the avoidance of the romanticism and the lack of domineering popular music instantly locates this film outside the repressive desire-creating machine and the illusions that (re)produce wishful reality. …”
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My Fair Lady Entre L’Egyptianisation Théâtrale et l’Adaptation Cinématographique by Hanane Hassan El Dibe

“…And how to get from a Bernard Shaw theatrical piece without a declaration of love, no dancing or sung scenes, a successful romantic and choreographic musical? And how has this musical been theatrically reproduced in Egyptian style so as to defy anything that seems a limit? …”
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“That’s How You Know He’s Your Love” by Maria Behrendt

“… While romantic love is a central topic in most Disney films, love duets sung by the featured couple are relatively rare and solo songs sung by the male protagonist even rarer. …”
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Close-up as a Marker of the Change of Genre Register in the Second Season of the Friends TV series by Verevkina, Darya

“…In addition, in some cases close-ups are also related to the narrative situation of a “film within a film”: They are used in soap operas, music videos, and commercials watched by the characters of the series. …”
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