"Realismo" e subalternidade na narrativa brasileira contemporânea: o caso de Tropa de elite by Vinícius Gonçalves Carneiro

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Inmigración y subalternidad en el cine argentino: Nobleza Gaucha by Pablo Alvira, Ronen Man

“…This paper discusses Nobleza Gaucha, the first film in those series, emphasizing its representation of subaltern groups, immigrants and natives, which involves considering its particular reinterpretation of “criollismo” and its quest for realism, defiantly for hegemonic discourses.…”
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多元视角的现实主义再现 ：苗秀的小说世界研究 = The multi-perspective representation of realism : an examination of Miao Xiu’s fictional works by 李琬容 Lee, Wan Rong

“…Other than examining Miao Xiu’s fictional works, the paper will gives an overview of realism in the literary context, so by integrating realism discourse and critical theories such as cultural-geography theory, subaltern studies and comparative literature theory by showing the representations of society and the literary view on British colonialism in the unique context in the 50s and 60s.Thus the paper reveals the possible breakthroughs and limits on how Miao Xiu’s Nanyang Realism can be portrayed in the cross-cultural context.…”
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Prioritising indigenous representations of geopower: the case of Tulita, Northwest Territories, Canada by Perombelon, B

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Film beyond boundaries: film, migrant narratives and other media by Anelise Reich Corseuil

“…In “Indexicality and Spectatorship in Digital Media: Waking Life as a Hybrid Artifact”, Erik Marshall analyses Waking Life as a film that exemplifies the “working across most of the registers of digital media” and which problematizes the realism associated with film. Marshall proposes the definition of a subjective realism that would take “into account diverse viewing environments as changing aesthetics would unite discourse of spectatorship and realism in useful ways” (316). …”
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Disability, normalcy, and the failures of the nation: a reading of selected fiction by Salman Rushdie, Rohinton Mistry, Indra Sinha, and Firdaus Kanga by Yorke, S

“…Mistry uses disabled characters symbolically to imagine political upheaval from a disadvantaged and sometimes from a subaltern position, creating in disabled characters their symbolic correlates.…”