The work of an invisible body: The contribution of foley artists to on-screen effort
On-screen bodies are central to our engagement with film. As sensory film theory seeks to remind us, this engagement is sensuous and embodied: our physicality forms sympathetic, kinetic and empathetic responses to the bodies we see and hear. We see a body jump, run and crash and in response we tense...
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Format: | Article |
Language: | English |
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University College Cork
2014-06-01
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Series: | Alphaville: Journal of Film and Screen Media |
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Online Access: | http://www.alphavillejournal.com/Issue7/HTML/ArticleFifeDonaldson.html |