Between the mind and the senses: Jean Mitry’s approach to cinematic consciousness
Representing altered states of consciousness, even through the most phantasmal of technical images, is an inherent contradiction; once we attribute a physical body, i.e. objectivity, to mental images, we deny what Husserl considers their very essence. Jean Mitry draws from this assumption when d...
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| Format: | Article |
| Language: | English |
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Milano University Press
2022-05-01
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| Series: | AN-ICON |
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| Online Access: | https://riviste.unimi.it/index.php/anicon/article/view/15446 |