Od teatru okrucieństwa do Grand Guignolu. Śmierć w kinie Andrzeja Żuławskiego
<span>This essay shows the motif of death in the film works of Andrzej Żuławski in the perspective of the theatre of horror. Starting with Trzecia część nocy (The Third Part of the Night) (1971) until his late work Szamanka (The Shaman Woman) (1996), this film work is shown as evolving from th...
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| Format: | Article |
| Language: | Polish |
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Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w Poznaniu
2007-08-01
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| Series: | Przestrzenie Teorii |
| Online Access: | http://pressto.amu.edu.pl/index.php/pt/article/view/11495 |