Od teatru okrucieństwa do Grand Guignolu. Śmierć w kinie Andrzeja Żuławskiego
<span>This essay shows the motif of death in the film works of Andrzej Żuławski in the perspective of the theatre of horror. Starting with Trzecia część nocy (The Third Part of the Night) (1971) until his late work Szamanka (The Shaman Woman) (1996), this film work is shown as evolving from th...
| Main Author: | |
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| Format: | Article |
| Language: | Polish |
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Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w Poznaniu
2007-08-01
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| Series: | Przestrzenie Teorii |
| Online Access: | http://pressto.amu.edu.pl/index.php/pt/article/view/11495 |
| _version_ | 1818135517389127680 |
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| author | Jacek Nowakowski |
| author_facet | Jacek Nowakowski |
| author_sort | Jacek Nowakowski |
| collection | DOAJ |
| description | <span>This essay shows the motif of death in the film works of Andrzej Żuławski in the perspective of the theatre of horror. Starting with Trzecia część nocy (The Third Part of the Night) (1971) until his late work Szamanka (The Shaman Woman) (1996), this film work is shown as evolving from the patronage of the conception of art of Antonin Artaud, serving the transformation of man up to its peculiar autoparody, which is closer to Grand Guignol. The author proves that escalation of cruelty in his works gradually loses its artistic pretext (justification) ceases to be artistically justified (no longer find artistic justification).</span> |
| first_indexed | 2024-12-11T09:25:46Z |
| format | Article |
| id | doaj.art-03cf7337c5f34d9d90e0c0b7a02f2718 |
| institution | Directory Open Access Journal |
| issn | 1644-6763 2450-5765 |
| language | Polish |
| last_indexed | 2024-12-11T09:25:46Z |
| publishDate | 2007-08-01 |
| publisher | Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w Poznaniu |
| record_format | Article |
| series | Przestrzenie Teorii |
| spelling | doaj.art-03cf7337c5f34d9d90e0c0b7a02f27182022-12-22T01:13:09ZpolWydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w PoznaniuPrzestrzenie Teorii1644-67632450-57652007-08-010520521210.14746/pt.2005.5.1311022Od teatru okrucieństwa do Grand Guignolu. Śmierć w kinie Andrzeja ŻuławskiegoJacek Nowakowski<span>This essay shows the motif of death in the film works of Andrzej Żuławski in the perspective of the theatre of horror. Starting with Trzecia część nocy (The Third Part of the Night) (1971) until his late work Szamanka (The Shaman Woman) (1996), this film work is shown as evolving from the patronage of the conception of art of Antonin Artaud, serving the transformation of man up to its peculiar autoparody, which is closer to Grand Guignol. The author proves that escalation of cruelty in his works gradually loses its artistic pretext (justification) ceases to be artistically justified (no longer find artistic justification).</span>http://pressto.amu.edu.pl/index.php/pt/article/view/11495 |
| spellingShingle | Jacek Nowakowski Od teatru okrucieństwa do Grand Guignolu. Śmierć w kinie Andrzeja Żuławskiego Przestrzenie Teorii |
| title | Od teatru okrucieństwa do Grand Guignolu. Śmierć w kinie Andrzeja Żuławskiego |
| title_full | Od teatru okrucieństwa do Grand Guignolu. Śmierć w kinie Andrzeja Żuławskiego |
| title_fullStr | Od teatru okrucieństwa do Grand Guignolu. Śmierć w kinie Andrzeja Żuławskiego |
| title_full_unstemmed | Od teatru okrucieństwa do Grand Guignolu. Śmierć w kinie Andrzeja Żuławskiego |
| title_short | Od teatru okrucieństwa do Grand Guignolu. Śmierć w kinie Andrzeja Żuławskiego |
| title_sort | od teatru okrucienstwa do grand guignolu smierc w kinie andrzeja zulawskiego |
| url | http://pressto.amu.edu.pl/index.php/pt/article/view/11495 |
| work_keys_str_mv | AT jaceknowakowski odteatruokrucienstwadograndguignolusmiercwkinieandrzejazuławskiego |