Cornelis De Bie, il Gulden Cabinet e la pittura di natura morta e di genere in Italia
This article spotlights the lives of Italian still life painters in one of the most important seventeenth-century Flemish source texts: Het Gulden Cabinet van de edel vry schilder-const by Cornelius De Bie (1662). This essay offers the first Italian translations of texts dedicated to these painte...
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Materialtyp: | Artikel |
Språk: | English |
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Fondazione Università Ca’ Foscari
2020-12-01
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Serie: | Venezia Arti |
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Länkar: | http://doi.org/10.30687/VA/2385-2720/2020/01/004 |