Michael Snijders's Copious Copies and the Mechanisms of Print
Between around 1630 and 1640, the little-studied printmaker Michael Snijders engraved an idiosyncratic series likely consisting of at least twenty-two prints. Approximating the logics of both drawing manual and sketchbook, the series brings together head studies, limbs, flora, fauna, antique costum...
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| Format: | Article |
| Language: | deu |
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arthistoricum.net
2024-10-01
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| Series: | 21: Inquiries into Art, History, and the Visual |
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| Online Access: | https://journals.ub.uni-heidelberg.de/index.php/xxi/article/view/106581 |