Azeem and the Witch: Race, Disability, and Medievalisms in Robin Hood: Prince of Thieves

Robin Hood: Prince of Thieves was the second highest-grossing movie of 1991. Its fuzzy version of the Middle Ages invokes the Angevins only in cameo and revises a genre of medievalism I call ‘Robin Hood Times’. This medievalism claims a specific setting, usually during the reign of King Richard I, e...

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Bibliographic Details
Main Author: Rachel Ellen Clark
Format: Article
Language:English
Published: Open Library of Humanities 2023-06-01
Series:Open Library of Humanities
Subjects:
Online Access:https://olh.openlibhums.org/article/id/9796/