Lenteur et vision : l’empreinte du western dans le roman français contemporain
Beyond the rebound effect, where the movie enters into the literature by transposition of scriptural and composition techniques, we are now witnessing a true integration of cinema stylèmes and topoï in the novel. By a deep analysis of Patrick Chatelier’s Pas le bon pas le truand, we question this as...
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| Format: | Article |
| Language: | fra |
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Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
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| Series: | Cahiers de Narratologie |
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| Online Access: | https://journals.openedition.org/narratologie/6587 |