Borders, Barriers and Grievable Lives
Based on a close reading of Ridley Scott’s war film Black Hawk Down (USA 2001; BHD), the present article investigates the formal properties through which a certain strain of war and action movies discursively constitutes the other – the enemy – as less than human. I develop the argument that the eme...
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Format: | Article |
Language: | English |
Published: |
Sciendo
2011-11-01
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Series: | Nordicom Review |
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Online Access: | https://doi.org/10.1515/nor-2017-0114 |