SUBJECTIVITY AND HYBRIDITY IN THE AGE OF INTERACTIVE INTERNET MEDIA: THE MUSICAL PERFORMANCES OF CHARICE PEMPENGCO AND ARNEL PINEDA
This paper examines hybrid subjectivity in the performances by and in the reception of musical artists utilizing the technology of interactive Internet media. It focuses on the career trajectories of the popular Filipino music performers Charice Pempengco and Arnel Pineda, taking into account how th...
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Format: | Article |
Language: | English |
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University of the Philippines
2010-06-01
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Series: | Humanities Diliman |
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Online Access: | http://journals.upd.edu.ph/index.php/humanitiesdiliman/article/view/1611 |