SUBJECTIVITY AND HYBRIDITY IN THE AGE OF INTERACTIVE INTERNET MEDIA: THE MUSICAL PERFORMANCES OF CHARICE PEMPENGCO AND ARNEL PINEDA
This paper examines hybrid subjectivity in the performances by and in the reception of musical artists utilizing the technology of interactive Internet media. It focuses on the career trajectories of the popular Filipino music performers Charice Pempengco and Arnel Pineda, taking into account how th...
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| Format: | Article |
| Language: | English |
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University of the Philippines
2010-06-01
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| Series: | Humanities Diliman |
| Subjects: | |
| Online Access: | http://journals.upd.edu.ph/index.php/humanitiesdiliman/article/view/1611 |
| _version_ | 1818766117657640960 |
|---|---|
| author | Christi-Anne Castro |
| author_facet | Christi-Anne Castro |
| author_sort | Christi-Anne Castro |
| collection | DOAJ |
| description | This paper examines hybrid subjectivity in the performances by and in the reception of musical artists utilizing the technology of interactive Internet media. It focuses on the career trajectories of the popular Filipino music performers Charice Pempengco and Arnel Pineda, taking into account how their transnational presence and dissemination through internet media communities affect perceptions of locality, nationality and race. |
| first_indexed | 2024-12-18T08:28:53Z |
| format | Article |
| id | doaj.art-0a5612ee2fc14a169318e859b6f4c765 |
| institution | Directory Open Access Journal |
| issn | 1655-1532 |
| language | English |
| last_indexed | 2024-12-18T08:28:53Z |
| publishDate | 2010-06-01 |
| publisher | University of the Philippines |
| record_format | Article |
| series | Humanities Diliman |
| spelling | doaj.art-0a5612ee2fc14a169318e859b6f4c7652022-12-21T21:14:31ZengUniversity of the PhilippinesHumanities Diliman1655-15322010-06-0171123SUBJECTIVITY AND HYBRIDITY IN THE AGE OF INTERACTIVE INTERNET MEDIA: THE MUSICAL PERFORMANCES OF CHARICE PEMPENGCO AND ARNEL PINEDAChristi-Anne CastroThis paper examines hybrid subjectivity in the performances by and in the reception of musical artists utilizing the technology of interactive Internet media. It focuses on the career trajectories of the popular Filipino music performers Charice Pempengco and Arnel Pineda, taking into account how their transnational presence and dissemination through internet media communities affect perceptions of locality, nationality and race.http://journals.upd.edu.ph/index.php/humanitiesdiliman/article/view/1611Philippinespopular musichybriditysubjectivitynew mediaCharice PempengcoArnel Pineda |
| spellingShingle | Christi-Anne Castro SUBJECTIVITY AND HYBRIDITY IN THE AGE OF INTERACTIVE INTERNET MEDIA: THE MUSICAL PERFORMANCES OF CHARICE PEMPENGCO AND ARNEL PINEDA Humanities Diliman Philippines popular music hybridity subjectivity new media Charice Pempengco Arnel Pineda |
| title | SUBJECTIVITY AND HYBRIDITY IN THE AGE OF INTERACTIVE INTERNET MEDIA: THE MUSICAL PERFORMANCES OF CHARICE PEMPENGCO AND ARNEL PINEDA |
| title_full | SUBJECTIVITY AND HYBRIDITY IN THE AGE OF INTERACTIVE INTERNET MEDIA: THE MUSICAL PERFORMANCES OF CHARICE PEMPENGCO AND ARNEL PINEDA |
| title_fullStr | SUBJECTIVITY AND HYBRIDITY IN THE AGE OF INTERACTIVE INTERNET MEDIA: THE MUSICAL PERFORMANCES OF CHARICE PEMPENGCO AND ARNEL PINEDA |
| title_full_unstemmed | SUBJECTIVITY AND HYBRIDITY IN THE AGE OF INTERACTIVE INTERNET MEDIA: THE MUSICAL PERFORMANCES OF CHARICE PEMPENGCO AND ARNEL PINEDA |
| title_short | SUBJECTIVITY AND HYBRIDITY IN THE AGE OF INTERACTIVE INTERNET MEDIA: THE MUSICAL PERFORMANCES OF CHARICE PEMPENGCO AND ARNEL PINEDA |
| title_sort | subjectivity and hybridity in the age of interactive internet media the musical performances of charice pempengco and arnel pineda |
| topic | Philippines popular music hybridity subjectivity new media Charice Pempengco Arnel Pineda |
| url | http://journals.upd.edu.ph/index.php/humanitiesdiliman/article/view/1611 |
| work_keys_str_mv | AT christiannecastro subjectivityandhybridityintheageofinteractiveinternetmediathemusicalperformancesofcharicepempengcoandarnelpineda |