Disjointed Confessions: <em>Adikia</em> and Radical Deradicalization in Schlingensief’s <em>Hamlet</em>
In 2001, in Zürich Switzerland, German director Christoph Schlingensief staged a version of Shakespeare’s Hamlet. In this version’s famous mousetrap scene, in which Hamlet wants to force his uncle to confess to fratricide, all the players of the mise en abyme are portrayed by a group of neo-Nazis en...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Performance Philosophy
2017-01-01
|
| Series: | Performance Philosophy |
| Subjects: | |
| Online Access: | https://www.performancephilosophy.org/journal/article/view/66 |