La captation et ses paradoxes. Réflexions sur la mise en vidéo des concerts à l’ère de la plateformisation de la musique
The massive circulation of concert videos on digital platforms questions more than ever the concert as an exclusive ritual. In France, these videos are called “captation” (video recording). This article aims at discussing the multiple paradoxes of this term. For this purpose, we rely on an explorato...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
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Université du Québec à Montréal
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| Series: | Communiquer |
| Subjects: | |
| Online Access: | https://journals.openedition.org/communiquer/9958 |