The Draughtsman’s Contract and the Crisis of Structuralism
Peter Greenaway’s cinema questions the numerical, verbal and pictorial determinations of sets and systems. Two or one, even or odd? (Twelve drawings or ‒ thirteen?) Is two, as a stabilization of symmetry, undermined by decompositions in time and space that defy any possible reduction to sub-binaries...
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| Format: | Article |
| Language: | English |
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Scientia Publishing House
2015-12-01
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| Series: | Acta Universitatis Sapientiae: Film and Media Studies |
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| Online Access: | https://doi.org/10.1515/ausfm-2015-0014 |