Active Viewership and Ethical Representation: Responsible Spectatorship in Alfredo Jaar’s “Real Pictures” and Gil Courtemanche’s Un dimanche à la piscine à Kigali
In its discussion of Gil Courtemanche’s Un dimanche à la piscine à Kigali and Alfredo Jaar’s installation of “Real Pictures,” both of which are representations of the Rwandan Genocide, this analysis contributes to a larger discussion on ethical representations of violence. Generally the discussion o...
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| Format: | Article |
| Language: | English |
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University Library System, University of Pittsburgh
2016-10-01
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| Series: | Journal of French and Francophone Philosophy |
| Online Access: | http://jffp.pitt.edu/ojs/index.php/jffp/article/view/762 |