“Everywhere I look, you could frame it”:
David Mitchell’s novels are often discussed in terms of large themes, but this paper adumbrates a different approach: reading Mitchell as a stylist, tracing the tendencies of his writing at a more local level and probing their implications. Focusing on Mitchell’s debut Ghostwritten (1999), the essa...
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| Format: | Article |
| Language: | English |
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ULAB Press
2019-08-01
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| Series: | Crossings |
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| Online Access: | https://journals.ulab.edu.bd/index.php/crossings/article/view/78 |