Mulata, Morisco, African Slave?
When he was still very young, Diego Velázquez painted “Kitchen Maid with the Supper at Emmaus” (National Gallery of Ireland, Dublin). From its first appearance in scholarly literature, the topic of the picture and the identity of the protagonist have been disputed and the painting has engendered a w...
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| Format: | Article |
| Language: | deu |
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arthistoricum.net
2022-01-01
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| Series: | 21: Inquiries into Art, History, and the Visual |
| Subjects: | |
| Online Access: | https://journals.ub.uni-heidelberg.de/index.php/xxi/article/view/83644 |