Regarding the Image of the Pain of Others: Caravaggio, Sontag, Leogrande
How did Caravaggio’s Sleeping Cupid (1608) end up on the island of Lampedusa? And why was The Seven Works of Mercy (1607) requested for display at a number of humanitarian public events? This article surveys the main circumstances linking Caravaggio’s pictorial corpus to the topicality of current ev...
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| Format: | Article |
| Language: | English |
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University of Bologna
2021-10-01
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| Series: | Finzioni |
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| Online Access: | https://finzioni.unibo.it/article/view/13553 |