Semantic Crosstalk in Timbre Perception

Many adjectives for musical timbre reflect cross-modal correspondence, particularly with vision and touch (e.g., “dark–bright,” “smooth–rough”). Although multisensory integration between visual/tactile processing and hearing has been demonstrated for pitch and loudness, timbre is not well understood...

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Bibliographic Details
Main Author: Zachary Wallmark
Format: Article
Language:English
Published: SAGE Publishing 2019-05-01
Series:Music & Science
Online Access:https://doi.org/10.1177/2059204319846617