The young Van Dyck’s fingerprint: a technical approach to assess the authenticity of a disputed painting

The young Van Dyck’s fingerprint: a technical approach to assess the authenticity of a disputed painting

Abstract The painting Saint Jerome, part of the collection of the Maagdenhuis Museum (Antwerp, Belgium), is attributed to the young Anthony van Dyck (1613–1621) with reservations. The painting displays remarkable compositional and iconographic similarities with two early Van Dyck works (1618–1620) n...

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Bibliographic Details
Main Authors: Astrid Harth, Geert Van der Snickt, Olivier Schalm, Koen Janssens, Griet Blanckaert
Format: Article
Language:English
Published: SpringerOpen 2017-06-01
Series:Heritage Science
Subjects:
Anthony van Dyck
Saint Jerome
Attribution problems
IRR
XRR
MA-XRF scanning
Online Access:http://link.springer.com/article/10.1186/s40494-017-0136-3

Internet

http://link.springer.com/article/10.1186/s40494-017-0136-3

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