Memory landscapes in Rodrigo Areias’ films. After an audiovisual essay by Nuno Dias
This essay aims at an analysis and deconstruction of Movement, Framework, Cut (2019) an audiovisual essay by Nuno Dias, that edits shots from Corrente (2008), Cinema (2014) and O Guardador (2015), three short films directed by Rodrigo Areias. Dias looks for intersections in these works. What draws...
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| Format: | Article |
| Language: | English |
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Universidade Católica Portuguesa
2022-04-01
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| Series: | Journal of Science and Technology of the Arts |
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| Online Access: | https://revistas.ucp.pt/index.php/jsta/article/view/11377 |