Memory, spectacle and menace in J.M. Coetzee’s Disgrace
David Lurie, the protagonist in Disgrace, boldly rejects the cyclical and persistent nature of state intrusion into private lives in post-apartheid South Africa. He presents a defence to counter a university academic committee’s public interrogation into what he perceives ought to be a private matte...
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| Format: | Article |
| Language: | English |
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Taylor & Francis Group
2022-12-01
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| Series: | Cogent Arts & Humanities |
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| Online Access: | http://dx.doi.org/10.1080/23311983.2022.2036306 |