“As Long as There’s Me. As Long as There’s You”: Trauma and Migration in David Bowie’s Berlin Triptych
This essay explores David Bowie’s so-called “Berlin Triptych”: <i>Low, “Heroes”,</i> and <i>Lodger</i>. The essay takes issue with previous interpretations that have claimed that the albums do not form a “triptych” of any meaningful kind, and that this pretentious term was on...
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| Format: | Article |
| Language: | English |
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MDPI AG
2021-11-01
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| Series: | Arts |
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| Online Access: | https://www.mdpi.com/2076-0752/10/4/77 |