Conflicted Memory, Irreversible Loss: Dissociative Projection in Kazuo Ishiguro’s A Pale View of Hills and Yasunari Kawabata’s The Sound of the Mountain
The task of identifying main hallmarks of Ishiguro’s and Kawabata’s oeuvres is but of double-edged nature – one may be unconsciously driven to seemingly obvious and unequivocal categorisations, naming attempts at selfunderstanding and self-interpretation as the core of their narratives. Both writer...
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Format: | Article |
Language: | English |
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University of Pardubice
2016-11-01
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Series: | American and British Studies Annual |
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Online Access: | https://absa.upce.cz/index.php/absa/article/view/2260 |