La colonna sonora come mixtape: Rap italiano e cinema agli albori degli anni Duemila
This essay focuses on the first convergence between Italian rap and cinema that took place between the late 1990s and the first years of the 21st century. The soundtrack of three films that bear witness of such a process, “Torino Boys” (1997, by Antonio and Marco Manetti), “Semiautomatico” (1999, by...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Italian |
| Published: |
Università degli Studi di Milano
2020-06-01
|
| Series: | Schermi |
| Subjects: | |
| Online Access: | https://riviste.unimi.it/index.php/schermi/article/view/12705 |