Kawaii Aesthetics from Japan to Europe: Theory of the Japanese “Cute” and Transcultural Adoption of Its Styles in Italian and French Comics Production and Commodified Culture Goods
Kawaii culture and aesthetics are a peculiarity of contemporary Japan and move across mass media, impulse goods, creative industries, and juvenile tendencies. The concept, graphic styles, and commodities related to a kawaii culture are composite. This article, in its first part, outlines the theorie...
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| Format: | Article |
| Language: | English |
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MDPI AG
2018-07-01
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| Series: | Arts |
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| Online Access: | http://www.mdpi.com/2076-0752/7/3/24 |
| _version_ | 1818348952198578176 |
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| author | Marco Pellitteri |
| author_facet | Marco Pellitteri |
| author_sort | Marco Pellitteri |
| collection | DOAJ |
| description | Kawaii culture and aesthetics are a peculiarity of contemporary Japan and move across mass media, impulse goods, creative industries, and juvenile tendencies. The concept, graphic styles, and commodities related to a kawaii culture are composite. This article, in its first part, outlines the theories and general features of this cultural trend in Japan and as it is framed in most western countries. In the second part, it also focuses on whether and how the concept and the related styles and commodities have found a place in Europe, with particular reference to Italy and France. These two countries, in fact, have been since the late 1970s the key markets in the Euro-American region for Japanese contemporary culture for youths, namely Japanese comics (generally called manga) and commercial animation (or anime). Anime and manga are, in effect, an integral part of the theoretical discourse on kawaii in the two markets considered, as it is discussed accordingly in the second part of the article. In its last section, the article addresses the impact of kawaii styles on youth cultures in Europe, which is, although limited, multidimensional: it has involved spontaneous drawings among children, a certain amateur and professional comics production, amateur and commercial animation, toys and a diverse merchandising, street art, and fashion design. |
| first_indexed | 2024-12-13T17:58:13Z |
| format | Article |
| id | doaj.art-1441fdf6fca7426f86a81bc2924b477c |
| institution | Directory Open Access Journal |
| issn | 2076-0752 |
| language | English |
| last_indexed | 2024-12-13T17:58:13Z |
| publishDate | 2018-07-01 |
| publisher | MDPI AG |
| record_format | Article |
| series | Arts |
| spelling | doaj.art-1441fdf6fca7426f86a81bc2924b477c2022-12-21T23:36:18ZengMDPI AGArts2076-07522018-07-01732410.3390/arts7030024arts7030024Kawaii Aesthetics from Japan to Europe: Theory of the Japanese “Cute” and Transcultural Adoption of Its Styles in Italian and French Comics Production and Commodified Culture GoodsMarco Pellitteri0School of Journalism and Communication, Shanghai International Studies University, Shanghai 200085, ChinaKawaii culture and aesthetics are a peculiarity of contemporary Japan and move across mass media, impulse goods, creative industries, and juvenile tendencies. The concept, graphic styles, and commodities related to a kawaii culture are composite. This article, in its first part, outlines the theories and general features of this cultural trend in Japan and as it is framed in most western countries. In the second part, it also focuses on whether and how the concept and the related styles and commodities have found a place in Europe, with particular reference to Italy and France. These two countries, in fact, have been since the late 1970s the key markets in the Euro-American region for Japanese contemporary culture for youths, namely Japanese comics (generally called manga) and commercial animation (or anime). Anime and manga are, in effect, an integral part of the theoretical discourse on kawaii in the two markets considered, as it is discussed accordingly in the second part of the article. In its last section, the article addresses the impact of kawaii styles on youth cultures in Europe, which is, although limited, multidimensional: it has involved spontaneous drawings among children, a certain amateur and professional comics production, amateur and commercial animation, toys and a diverse merchandising, street art, and fashion design.http://www.mdpi.com/2076-0752/7/3/24kawaiiyouth culturesJapanEuropetrans-acculturationmanga and anime |
| spellingShingle | Marco Pellitteri Kawaii Aesthetics from Japan to Europe: Theory of the Japanese “Cute” and Transcultural Adoption of Its Styles in Italian and French Comics Production and Commodified Culture Goods Arts kawaii youth cultures Japan Europe trans-acculturation manga and anime |
| title | Kawaii Aesthetics from Japan to Europe: Theory of the Japanese “Cute” and Transcultural Adoption of Its Styles in Italian and French Comics Production and Commodified Culture Goods |
| title_full | Kawaii Aesthetics from Japan to Europe: Theory of the Japanese “Cute” and Transcultural Adoption of Its Styles in Italian and French Comics Production and Commodified Culture Goods |
| title_fullStr | Kawaii Aesthetics from Japan to Europe: Theory of the Japanese “Cute” and Transcultural Adoption of Its Styles in Italian and French Comics Production and Commodified Culture Goods |
| title_full_unstemmed | Kawaii Aesthetics from Japan to Europe: Theory of the Japanese “Cute” and Transcultural Adoption of Its Styles in Italian and French Comics Production and Commodified Culture Goods |
| title_short | Kawaii Aesthetics from Japan to Europe: Theory of the Japanese “Cute” and Transcultural Adoption of Its Styles in Italian and French Comics Production and Commodified Culture Goods |
| title_sort | kawaii aesthetics from japan to europe theory of the japanese cute and transcultural adoption of its styles in italian and french comics production and commodified culture goods |
| topic | kawaii youth cultures Japan Europe trans-acculturation manga and anime |
| url | http://www.mdpi.com/2076-0752/7/3/24 |
| work_keys_str_mv | AT marcopellitteri kawaiiaestheticsfromjapantoeuropetheoryofthejapanesecuteandtransculturaladoptionofitsstylesinitalianandfrenchcomicsproductionandcommodifiedculturegoods |