“Monstrous Betrayal”: On the Sources of the Controversy around the Film Adaptation of Dolina Issy [The Issa Valey ]
<p>The author attempts to identify the origins of the famous argument between Miłosz and Konwicki about the film adaptation of <em>Dolina Issy</em>. Konwicki created a film which, although it is an adaptation of the novel, clearly belongs to his own creative output, focused on axio...
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| Formato: | Artigo |
| Idioma: | deu |
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Adam Mickiewicz University
2012-01-01
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| Series: | Poznańskie Studia Polonistyczne. Seria Literacka |
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| Acceso en liña: | http://pressto.amu.edu.pl/index.php/pspsl/article/view/2202 |
| Summary: | <p>The author attempts to identify the origins of the famous argument between Miłosz and Konwicki about the film adaptation of <em>Dolina Issy</em>. Konwicki created a film which, although it is an adaptation of the novel, clearly belongs to his own creative output, focused on axiological uncertainty after The Second World War. Konwicki’s work is a record of a quest for enduring points of reference, a quest conducted with realisation that such points cannot be found by a person who feels lost in the modern world. Such a world-view was not acceptable for Miłosz, and it is difficult to expect that the poet would accept an adaptation of his novel created from such a point of view.</p> |
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| ISSN: | 1233-8680 2450-4947 |