The Im/possible Femininity of Nina Arsenault: theatrical gender in I w@s B*rbie and The Silicone Diaries
This essay argues that the performed corporeality of performance artist Nina Arsenault demonstrates how gender can be constituted by two mutually exclusive theories of gender simultaneously. Specifically, Arsenault im/possibly embodies gender as performative and as an essential psychic sense of self...
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Format: | Article |
Language: | English |
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Universidade Federal do Rio Grande do Sul
2020-06-01
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Series: | Revista Brasileira de Estudos da Presença |
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Online Access: | https://seer.ufrgs.br/index.php/presenca/article/view/96976 |