La trace du geste en peinture à la lumière des sciences cognitives
Up to the late nineteenth century, the physical presence of the artist and/or the trace of his gestures, were not supposed to appear in his finished works. Then, the development of Impressionism favoured the visible presence of the artists in their works. The traces, the fugitive remnants of the art...
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| Format: | Article |
| Language: | English |
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Université de Bourgogne
2018-12-01
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| Series: | Interfaces |
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| Online Access: | https://journals.openedition.org/interfaces/607 |