L’Opéra-Comique, 1945-1970 : de nouveaux opéras et leurs livrets ou de l’audace exogène
Between 1945 and 1970, the beacon of opera in France, the Paris Opera House, a.k.a. Palais Garnier, had become a bastion of musical conservatism. Meanwhile, the Opéra-Comique, the “other” Paris opera house, a.k.a. Salle Favart, devoted to the production of those lyric...
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| Format: | Article |
| Language: | English |
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Presses universitaires de Rennes
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| Series: | Revue LISA |
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| Online Access: | https://journals.openedition.org/lisa/6586 |