Female, Mosher, Transgressor: A ‘Moshography’ of Transgressive Practices within the Leeds Extreme Metal Scene
This paper examines and reconceptualises transgression in the Leeds extreme metal music subculture through theories of performance, embodiment and spectacle. The spectacle, for Debord (1967), is a social relation that is alienating and mediated by images and technology. At a live extreme metal conce...
| Main Authors: | , , |
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| Format: | Article |
| Language: | English |
| Published: |
International Association for the Study of Popular Music
2014-01-01
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| Series: | IASPM Journal |
| Subjects: | |
| Online Access: | https://iaspmjournal.net/index.php/IASPM_Journal/article/view/652/pdf |