Monet at a Glance: A Dynamic, Ekphrastic Encounter in Michèle Roberts’s “On the Beach at Trouville”
The essay analyzes Michèle Roberts’s 2012 story “On the Beach at Trouville” as an ekphrasis of Claude Monet’s early Impressionist painting, The Beach at Trouville. It first approaches the narrative though W. J. T. Mitchell’s model in which ekphrasis is understood as staging “a war of signs,” only to...
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| Format: | Article |
| Language: | English |
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Lodz University Press
2022-11-01
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| Series: | Text Matters |
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| Online Access: | https://czasopisma.uni.lodz.pl/textmatters/article/view/15541 |