L’évidement de l’image ou la figuration de l’invisible corps du Christ (ixe–xie siècle)
The altar table from the monastery of Saint-Jean-de-Mallast (Montolieu, France, Aude), carved in the middle of the tenth century and now known only through a drawing of Jean Mabillon, presents a unique frame consisting of figures, ornaments and inscriptions around an aniconic field, where one would...
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| Format: | Article |
| Language: | fra |
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Centre d´Histoire et Théorie des Arts
2014-01-01
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| Series: | Images Re-Vues |
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| Online Access: | http://journals.openedition.org/imagesrevues/3384 |