"Two Styles More Opposed": Harriet Hosmer's Classicisms Between Winckelmann and Bernini
This paper explores how Harriet Hosmer (1930-1908) positioned two early busts, Daphne (1853/4) and Medusa (1854) in opposition to Gianlorenzo Bernini's works of thes same subject through careful deployment of Winckelmannian principles. This engages with the first English translation of...
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Format: | Article |
Language: | deu |
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RELICS
2021-12-01
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Series: | Journal of Latin Cosmopolitanism and European Literatures |
Subjects: | |
Online Access: | http://jolcel.ugent.be/article/id/60593/ |