"Two Styles More Opposed": Harriet Hosmer's Classicisms Between Winckelmann and Bernini

This paper explores how Harriet Hosmer (1930-1908) positioned two early busts, Daphne (1853/4) and Medusa (1854) in opposition to Gianlorenzo Bernini's works of thes same subject through careful deployment of Winckelmannian principles. This engages with the first English translation of...

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Bibliographic Details
Main Author: Melissa Landreth Gustin
Format: Article
Language:deu
Published: RELICS 2021-12-01
Series:Journal of Latin Cosmopolitanism and European Literatures
Subjects:
Online Access:http://jolcel.ugent.be/article/id/60593/