The Impossible Temptation of Noise in Late Eighteenth-Century English Music
As Hogarth’s famous print, The Enraged Musician, makes clear, “sound” and “noise” are antithetical notions. Noise is defined negatively as a disruptive element. “It works as a deconstruction”, Paul Hegarty claims. Historically, in the Aristotelian tradition, music used to be thought of as an art bas...
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| Format: | Artykuł |
| Język: | English |
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Institut du Monde Anglophone
2016-06-01
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| Seria: | Etudes Epistémè |
| Hasła przedmiotowe: | |
| Dostęp online: | http://journals.openedition.org/episteme/1122 |