Inside haptic Modernism: Alois Riegl and Anglo-American art criticism and theory
Introduced in 1902 in response to a polemical article by Strzygowski, the category of haptic formulated by Alois Riegl enjoyed a remarkable critical fortune, exquisitely interdisciplinary, throughout the 20th century and beyond. A critical fortune that, not infrequently, has taken the form of a comp...
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| Format: | Article |
| Language: | English |
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Department of Art History, University of Birmingham
2023-12-01
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| Series: | Journal of Art Historiography |
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| Online Access: | https://arthistoriography.files.wordpress.com/2023/10/bartalesi.pdf |