« De un yo plural y de una sola sombra » : autofiguración y retrato en El hacedor
This article explores the process of self-figuration that Borges develops in El hacedor (1960), which allows him to create a literary figure named Borges, always dynamic and paradoxical. By combining some of the ideas proposed by the most important critics that have studied this process (Molloy, Lef...
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Format: | Article |
Language: | Spanish |
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Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
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Series: | Cuadernos LIRICO |
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Online Access: | https://journals.openedition.org/lirico/1978 |